Kogei Exhibition: Metalwork and Lacquerware: Asia Week New York 2026
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Rusu Aki, Two Separate Routes, 2022 -
Tamagawa Norio, Mokume-gane Vase, 2017 -
Tamagawa Norio, Mokume-gane Vase #21, 2002 -
Tamagawa Norio, Mokume-gane Vase #33, 2011
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Osumi Yukie, Flower Vessel “Red Sea”, 2022 -
Osumi Yukie, Flower Vessel “Naruto (Whirlpool)", 2024 -
Osumi Yukie, Silver Plate “Gekko (Moon Light)", 2022 -
Osumi Yukie, Flower Vase “Flame”, 2016
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Ōsumi Yukie, Silver Vase "Araiso (Rough Shore)", 2020 -
Nakagawa Mamoru, Vase "Calm Sea", 2016 -
Katsura Morihito, Metal Fitting with Egret Design, 2023 -
Katsura Morihito, Candy Box "Seven Ants", 2012
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Oshiyama Motoko, Kakuhanmon Vase “Seiju (Tree Dwelled by a Spirit)", 2018 -
Oshiyama Motoko, Kakuhanmon Vase “Ranman (Luxuriant)" , 2024 -
Oshiyama Motoko, Kakuhanmon Vase “Omokage (Recollection)", 2016 -
Oshiyama Motoko, Kakuhanmon Vase “Shunpu (Spring Wind)", 2018
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Oshiyama Motoko, Kakuhanmon Box “Hoga (Sprout)" , 2021 -
Hagino Noriko, Uchidashi Water Jar “Tsumukuri (Spinning Top)", 2024 -
Hagino Noriko, Uchidashi Silver Water Jar, 2024 -
Iede Takahiro, Vessel "Akanesasu (Glowing Dark Red)", 2024
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Iede Takahiro, Vessel "Hanaemi (Smile Like a Blooming Flower)", 2023 -
Iede Takahiro, Vessel “Seseragi (Brooklet)", 2023 -
Hara Satoshi , Incense Burner with Nanako Inlay “Genbu (Black Tortoise)", 2019 -
Hara Satoshi, Flower Vessel with Dot Design, 2025
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Hata Shunsai III, Tea Kettle with Octagonal Design, 2020 -
Komori Kunie, Small Tray in Ajiro Weave (set of 5), 2022 -
Onihira Keiji, Nanohana Blossoms, 2010 -
Onihira Keiji, Maki-e Box “A Ray of Light - Suisei (Comet)", 2024
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Onihira Keiji, Box with Design in Maki-e “Travel To The Moon", 2023 -
Onihira Keiji, Maki-e Box "Kinsangindai (Narcissus)" , 2018 -
Onihira Keiji, Box in Design with Raden “Getsumei (Moonlit Radiance)", 2006 -
Onihira Keiji, Box in Design with Raden “Hojo (Abundance)", 2003
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Mizushiri Satomi, Candy Box in Design with Maki-e “Red-and-White Plum Blossom Pattern” , 2020 -
Mizushiri Seiho, Octagon Plate in Design with Chinkin “Cloud-and-Brocade Pattern” , 2020 -
Mizushiri Seiho, Plate in Design with Chinkin “Cloud-and-Brocade Pattern” (set of 5), 2018 -
Mizushiri Kota, Square Plate with Design in Chinkin, “Centennial Cherry Tree”, 2023
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Mizushiri Kota, Food Vessel in Design with Maki-e “Tenpyo Pattern”, 2019 -
Teranishi Shota, Box in Design with Maki-e “Gyoei (Fish Shadow)" , 2014 -
Okado Yuji, Box in Design with Maki-e “Sobae (Sunshower)” , 2004 -
Sakamoto Yasunori, Box with Design with Maki-e "Singing in the Rain” , 2023
Opening Reception: Thursday March 19, 5-8pm.
Onishi Gallery Names Its Exhibition for Asia Week 2026 and Raises the Curtain on a Multiyear Museum Project
NEW YORK CITY (March 2026): Onishi Gallery—internationally recognized for championing KOGEI, Japan’s vibrant world of contemporary craft—is thrilled to celebrate this year’s Asia Week New York with a standout presentation, “KOGEI Exhibition: Metalwork and Lacquerware,” on view from March 19 to April 3.
The exhibition introduces audiences to masterpieces shaped by centuries of inherited skill while offering a first glimpse of a major museum touring project set to travel across the United States beginning in 2027. At the gallery’s elegant Upper East Side space in the historic Sidney Ripley mansion on 79th Street, visitors will encounter an exceptional gathering of works representing two of Japan’s most iconic traditions: Metalwork and Lacquerware.
The metalwork section shines a spotlight on groundbreaking women artists who have risen to prominence in a field long dominated by men—an arena traditionally linked to physical endurance and, historically, samurai culture. Featuring the work of Oshiyama Motoko, Hagino Noriko, and Living National Treasure Ōsumi Yukie, the exhibition presents dazzling creations in gold, silver, platinum, copper, lead, and signature Japanese alloys. Through demanding, painstaking techniques such as casting, chiseling, and hammering, these artists balance expressive freedom with uncompromising technical mastery, producing works of exceptional subtlety, radiance, and refinement.
In a recent article that featured Onishi Gallery, The New York Times described Wajima as a “Holy Land of Lacquerware.” The exhibition’s lacquerware selection pays special tribute to artists from this small city at the northern tip of the Noto Peninsula—an area devastated by the January 1, 2024 earthquake and fire. In Wajima, artisans carve delicate bases from paulownia, cherrywood, cypress, and other fine timbers before applying, drying, and polishing dozens of layers of urushi, the sap of the lacquer tree. These luminous surfaces become stages for gold, silver, and shell inlays—works that marry natural material beauty with disciplined craft. The exhibition brings together pieces by three Living National Treasures from Wajima—Yamagishi Kazuo, Mae Fumio, and Komori Kunie—all now rebuilding their studios and lives in the aftermath of disaster.
For its Asia Week show, Onishi Gallery is also pleased to introduce Rusu Aki (b. 1976) and Onihira Keiji (b.1973). These remarkable mid‑career artists form part of a larger group whose work the Gallery will also showcase at “Homo Faber 2026: An Island of Light,” a wide-ranging festival at the Fondazione Giorgio Cini in Venice this September. Rusu creates her sculptural forms in iron that evolves through rust, welding, and time itself—poetic works that reshape space through material rhythm and presence. Based in Wajima, Onihira is celebrated for his lacquer pieces that integrate ancestral techniques with celestial, botanical, and cosmic imagery. Each work is a meditation in material, with layered lacquer, gold, and iridescent shell forming sculptural, glowing surfaces.
Together, these artists embody the spirit of KOGEI: fearless innovation paired with a deep reverence for traditional materials. Their work occupies a unique position between Western notions of “Craft” and “Art,” offering audiences a vision of Japanese creativity that remains rooted, relevant, and radiant. Onishi Gallery warmly invites you to experience the enduring beauty and contemporary vitality of KOGEI—a living heritage that continues to enrich global culture and design.
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Onishi Gallery
16 E 79th Street, Ground Floor, New York, NY 10075
Exhibition Dates: March 19 – April 3, 2026
Opening Party: Thursday, March 19, 5 – 8pm
Hours: 10am – 5pm, every day during Asia Week (March 19 – 27.) Other times Tuesday – Friday, 10am – 5pm.
Gallery Contacts
Nana Onishi, Director / 212.695.8035 / nana@onishigallery.com
Yui Kugimiya, Assistant Director / 978.578.0347 / yui@onishigallery.com
Asia Week New York
Featuring auctions, exhibitions, and events showcasing Asian art, Asia Week New York will run from March 19 to March 27 2026. For further details please visit asiaweekny.com.
KOGEI USA
A certified not-for-profit organization under Section 501 (c)(3) of the U.S. Tax Code, KOGEI USA was established with the goal of raising the reputation of Japanese traditional arts and culture outside Japan by holding exhibitions and cultural events at major museums throughout North America and beyond. KOGEI USA’s first traveling museum exhibition, “KOGEI: Metalwork and Lacquerware,” will debut at the Minneapolis Institute of Art in 2027. Curated by Dr. Andreas Marks, one of the field’s most respected scholars, the exhibition unites established masters and rising talents, including multiple Living National Treasures. Following its debut, the show will tour leading museums across North America, with selected works entering the permanent collection at each venue.

